It was sold because none of his descendants shared his taste- though I wish I'd held out for those two late 19th century German plates of his- with their paintings of Graeco-Roman rude girls. My parents bought some nice pieces on their own account- and their taste was for the unfussy and English. That's my taste too- broadly speaking. I like honest farmhouse furniture, manor-house furniture. Politics comes into it. I'm a William Morris socialist- and that 18th century French lumber- with it's shouty ornamentation- is all about grinding the faces of the poor. That's why I hate Faberge too. Faberge is the reason- in little- why the Russians had to have a revolution.
I'm fussy about the dead people I choose to associate with.
But of course I've never had the money to buy proper antiques. Our stuff is a mix and match of Ikea and hand-me-downs and things from junk shops.
But supposing I did have the money? I love the Antiques Road show and its spin-offs. I envy those guys. Because what could be more agreeable than to roll around from antique shop to auction- with a big greasy roll of banknotes in the pocket of one's ratty, tweed jacket- spending one's life among old things? I emphasize the word "old". Oldness is what's it's really all about. If I'd been my grandfather I'd have been furious to find that my Louis Quinze was actually Napoleon III. Dealing in antiques is dealing in history. It's time travel. If I had my life over again- and know what I now know- I'd do one of two things: I'd train as an archaeologist- or get a job with an auction house.
