But the BFI channel has a lot of Wenders on offer right now and I'm going to play catch up. Last night I took in Alice in the Cities- which is a cool road movie, with charm and not a lot of plot- and when the cop catches up with the man and the runaway kid he makes a joke of their going awol- which I hadn't expected at all- and nobody gets into any kind of serious trouble. There's some portentous talkiness near the beginning- which we really don't need- but afterwards it's mainly just the man and the kid eating up the miles- and they're not going to be talking philosophy are they? We move from America to Amsterdam to West Germany. There are streets and cheap cafes and motels and hotels. And hire cars and trains and planes. And rock and roll music- which is par for the course these days but- as Chris Petit points out- was still pretty fresh in 1974- with an unexpected appearance by Chuck Berry (decolourised from footage shot and owned by D.A Pennebaker because Pennebaker wanted less money for his stuff than Berry did) thrown in for good measure. The man is happier at the end of the movie than he was at the beginning and maybe the kid is happier too and they've experienced some tedium and had some fun and- though there's now a firm destination in sight- the film chooses to leave them in transit- leaning out of the window of a train- with the camera zooming up into the sky and taking in a vast expanse of a world that's still to explore...
Alice In The Cities
But the BFI channel has a lot of Wenders on offer right now and I'm going to play catch up. Last night I took in Alice in the Cities- which is a cool road movie, with charm and not a lot of plot- and when the cop catches up with the man and the runaway kid he makes a joke of their going awol- which I hadn't expected at all- and nobody gets into any kind of serious trouble. There's some portentous talkiness near the beginning- which we really don't need- but afterwards it's mainly just the man and the kid eating up the miles- and they're not going to be talking philosophy are they? We move from America to Amsterdam to West Germany. There are streets and cheap cafes and motels and hotels. And hire cars and trains and planes. And rock and roll music- which is par for the course these days but- as Chris Petit points out- was still pretty fresh in 1974- with an unexpected appearance by Chuck Berry (decolourised from footage shot and owned by D.A Pennebaker because Pennebaker wanted less money for his stuff than Berry did) thrown in for good measure. The man is happier at the end of the movie than he was at the beginning and maybe the kid is happier too and they've experienced some tedium and had some fun and- though there's now a firm destination in sight- the film chooses to leave them in transit- leaning out of the window of a train- with the camera zooming up into the sky and taking in a vast expanse of a world that's still to explore...
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Recent Posts from This Journal
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The kitchen is nearly finished. Nearly, nearly, nearly..... And when it is we we'll be putting things away in cupboards, rationalising as we…
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